 reviewed by Margi Vaz Martin 23 Jul 2009 |
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Warm laughter suggests satisfaction Bitter-sweet comedic theatre piece Ruby Tuesday, site-specific dance installation Before the Break and hip hop musical LightBulbMan are aimed at audiences who want a taste of something that’s fresh, innovative and eclectic. [more] |
 reviewed by Kate Ward-Smythe 24 May 2010 |
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Thank you for the music plus... There’s a line in ABBA’s song Super Trouper, “Smiling having fun, feeling like a number one”, which in part sums up the simple euphoria the Bjorn Again formula brings to devoted ABBA and Mamma Mia fans. Four clever front line musicians-singers-performers, supported by two able back line rhythm section players, bring to life the (comparatively) bright innocence of ABBA’s all too few live performances. [more] |
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reviewed by Maryanne Cathro 16 May 2010 |
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Warm and generous atmosphere It’s 34 years since I warbled ‘Fernando’ into my ABBA pillow case, and yearned for a mini dress with a sequinned cat on it. And it’s over 25 years since ABBA put out a new album. However, this hasn’t stopped two more generations falling in love not only with their music but also their whole “ABBAness”. [more] |
 reviewed by Kate Ward-Smythe (Radio NZ: Arts On Sunday) 1 Jul 2012 |
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Hedonistic benders Kate Ward Smythe reviews Black Confetti on Arts On Sunday [more] |
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reviewed by Nik Smythe 1 Jul 2012 |
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Stylistically convoluted and provocatively chilling 21st century parable I can’t find better words to succinctly describe Black Confetti than director Andrew Foster’s in his programme notes: “…a challenging work, a complex brain teaser.” The first disarmingly impressive thing to behold on being seated is the complex, dark, Kafka-esque set by John Parker – shortly proven to more than aptly reflect the complex, dark Kafka-esque content of this convoluted fable. [more] |
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reviewed by Janet McAllister (New Zealand Herald online) 3 Jul 2012 |
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Wunderkind playwright the real deal By hitching rising-star playwright Eli Kent to their high-powered production wagon, Auckland Theatre Company have created an intense, atmospheric theatrical experience, absorbing for literary types and theatre newcomers alike. [more] |
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reviewed by Rosabel Tan 7 Jul 2012 |
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Shivering and Shaking; The Glittery Black Siggy (Kip Chapman) is the quintessential drifter. He’s spent the past seven years “finding his niche” – that is, working his way through every stage one paper offered by the Faculty of Arts – and he’d happily continue this search, only The Dean (Adam Gardiner) is now threatening to kick him out: Not for his unrelenting dedication to underachievement, not even because he’s a small-time drug dealer catering to staff and students’ appetite for black (a fictional drug not unlike cocaine), but because ... [more] |
 BLACK FAGGOT at The Basement, Lower Greys Ave reviewed by Matt Baker (Theatre Scenes - Auckland Theatre Blog) 18 Feb 2013 |
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It’s all in the title With such a provocative title (faggot sits at number 9 on the Broadcasting Standards Authority’s list of 31 words ‘Not To Swear’), one would be forgiven if they were to presume that Victor Rodger’s Black Faggot was going to be an excessive bombardment of racial and homophobic rants from both sides of the social spectrum. [more] |
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BLACK FAGGOT at The Basement, Lower Greys Ave reviewed by Naomi Cohen 17 Feb 2013 |
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BLACK FAGGOT Iaheto Ah Hi and Beulah Koale bring an incredible energy to the stage as they move seamlessly between each character and their story. There is great joy when you recognize a character who appeared earlier on in the show and an excited anticipation as you wonder what intimate detail will they share next. [more] |
 reviewed by John Smythe 17 Apr 2006 |
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Well executed and pleasant to watch So, with the Black Grace boys playing small and not sharing much, it takes their visiting Friend, Louise Potiki Bryant, to choreograph a piece that is relatively mature. Her Night Blooms is abstract, so open to subjective interpretation by each viewer, but it exudes a conceptual depth that inspires trust. [more] See also reviews by: Deirdre Tarrant (Capital Times); |
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