 reviewed by Jennifer Shennan 1 Apr 2011 |
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A sheer torrent of unstoppable talent The show is hilarious, breathtakingly costumed, made with mighty loads of mickey, and will have you rolling in your ribs. Jon Trimmer is having a ball, Louis Solino is his intriguing enigmatic self, and Paul is up and out and away. [more] |
 reviewed by Jennifer Shennan (The Dominion Post) 14 Sep 2011 |
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Unfaltering energy Verses 2 has thematic contrasts yet consistent movement vocabulary across an energized programme of short works. The stamina, speed and precision of the performers are all to the max. [more] |
 reviewed by Jennifer Shennan (Dominion Post) 31 Oct 2011 |
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Spirited ballet performance The spirited new production of this major classic has opened to capacity audiences, a popular open day, healthy bookings for the coming week, and a sold-out schools performance. Gary Harris' heroic architectural sets and attractive costumes are inspired by the Italian Renaissance, and the set changes to music are intriguing. [more] |
 reviewed by Jennifer Shennan (The Dominion Post) 31 May 2012 |
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A ravishing river of life and lament It’s a pity this programme is titled Riverdance because many folk have seen that show, more than once, and might think they never need to see it again. Hurry to book a ticket then come back and read why you should. [more] |
 reviewed by Jennifer Shennan 10 Jun 2012 |
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Stunning, if a little shallow Well, Rock the Ballet may not rock the ballet, but it certainly rocked the audience. A troupe of six stunningly fit and fine male dancers, and one smiling coquette, sped through almost 30 numbers that drew on a range of dance influences. [more] |
 reviewed by Jennifer Shennan (The Dominion Post) 4 Aug 2012 |
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Enchantment, inspiration, artistic brilliance on show Suppose someone took a perfect rose and turned it into a splendid ballet. Someone did. The visual imagery throughout this production is exquisitely inspired by art nouveau, Horta let’s say, in a rose garden, through to a sparkling starry night of Swarowski jewels. Tracy Grant Lord has produced wondrous designs for sets that move to music – and linger in the mind long after curtain down. [more] |
 reviewed by Jennifer Shennan (The Dominion Post) 8 Nov 2012 |
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Worthy tribute to ballet supporter Ethan Stiefel and Johan Kobborg, two stellar forces in world ballet, have combined to direct a streamlined synopsis for this classic. All the dancing serves the story tightly, so its unforgiving ending is inevitable. [more] |
 reviewed by Jennifer Shennan 26 May 2013 |
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Mutable and marvellous Movements of the dance may be beguilingly slow, then trippingly swift, and the grounded sense of balance needed to deliver these adjacently is one of the most admirable aspects of the art that Kinra introduces as “giving form to the formless.” The rigours of training lead to the freedom of performance, and that is picked up kinaesthetically by an attentive audience. We each have a body. This is one of the ways in which it can be moved [more] |
 reviewed by Dawn Sanders QSM 28 Apr 2007 |
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Substance, disappointment, fun for the young, athletic energy … Physically fine-tuned and energised bodies performed to a well-filled Wellington Opera House for Footnote Dance’s first performance of its seven city season ... [more] |
 reviewed by Sian Robertson 28 Aug 2008 |
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Story telling from the heart: bravo! Although the story centres around the misinformed bombing of the monastery at Monte Cassino towards the end of WWII, which resulted in tens of thousands of casualties on both sides, it is at its core about comradeship and family. [more] |
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