 reviewed by Paul Simei-Barton (New Zealand Herald) 11 Jun 2012 |
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Exhilarating battle of wits With award-winning shows in the West End and New York, young British playwright Nina Raine is a rising star of international theatre and Silo's presentation of Tribes suggests the hype is well deserved. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 23 Jul 2012 |
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Mason’s work still relevant in superb retelling Committed cast delivers moving piece on deception in rural Maori community ATC has stumbled on to a winner with its lovingly crafted revivals of Bruce Mason's seldom-staged studies of rural Maori communities of the 50s and 60s. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 15 Aug 2012 |
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Stylish, inventive view of challenging lives Q Theatre's Loft provides an intimate setting for an engaging double-header that offers two sharply contrasting visions of the current state of New Zealand society. Thomas Sainsbury's And then You Die takes us on a wickedly funny excursion into the head of an under-achieving retail worker who has a compulsive eating disorder and a schizophrenic voice reinforcing her chronically low self esteem. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 27 Aug 2012 |
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Beat heroes take a walk on the wild side Beautiful Losers is a heartfelt tribute to American writer Jack Kerouac and his larger-than-life muse Neal Cassady – the free-wheeling drifter who was the inspiration for On the Road. [more] |
 reviewed by Paul Simei-Barton 26 Oct 2012 |
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Hilarious satire pierces dark side and reveals top talent Playwright Jamie McCaskill, who impressed a couple of years ago as co-writer of He Reo Aroha, returns with a new play that convincingly establishes him as a major talent – both as a writer and performer. [more] |
 reviewed by Paul Simei-Barton 15 Nov 2012 |
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Deconstructed modern romcom engages well at emotional level In choosing a recent work from a rising star of British theatre, Potent Pause Productions is looking towards younger audiences while building on its reputation for taking on challenging works from the modernist canon. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 13 Dec 2012 |
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Dotcom thrills in stage debut News that Kim Dotcom had joined the Basement's end-of-year Christmas bash set off the kind of frenetic anticipation that has children refusing to go to sleep on Christmas Eve. And just as unwrapping the present seldom matches the wish list whispered into Santa's ear, there were some disappointments along with a few rushes of excitement. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 4 Mar 2013 |
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Richness of text shines in King Lear The play does not require any contemporary references to underline its relevance, but news of the Pope's resignation presents an uncanny analogy to Lear's rash decision to divide his kingdom among his daughters. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 15 Apr 2013 |
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Theatre of Horrors as zombies invade Audience members find themselves cast as B-movie extras and interactive drama hits a new level. The growing trend towards interactive theatre is thrown into overdrive in a show that invites you to immerse yourself in the always hazardous task of surviving a zombie apocalypse. [more] |
 reviewed by Paul Simei-Barton (New Zealand Herald) 19 Apr 2013 |
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From Russia with Kiwi wit, sophistication, intelligence and erudition With John Key's stewardship of the GCSB, farce might be the appropriate form for a Kiwi spy story. But in the hands of playwright Dean Parker the intrigues swirling around New Zealand's Moscow Embassy in 1947 provide the raw material for a sophisticated, entertaining and intelligent piece of theatre. [more] |
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