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BOMBSHELLS at Centrepoint
reviewed by John Ross (The Dominion Post) 21 May 2007
Strong women, strong production
We need strong parts for women, and here an Australian playwright has created six of them, end-to-end, to provide challenges for a virtuoso actor. From a school-girl in a cat-suit coping with a talent contest through to a widow in her sixties breaking free from soul-crushing routine, each character exemplifies the theme of `women on the edge,’ close to imploding. [more]

BOMBSHELLS at Circa Two
reviewed by John Smythe 27 Jul 2008
Sextet of post-feminist women offer entertaining insights
Why is it called Bombshells? In this production the ‘blonde bombshell’ turns out to be its solo performer Ali Harper: a truly dynamic talent. But instead of shattering and splattering, as bombshells do, she and director Ross Gumbley honour the essence of Joanna Murray Smith’s sextet of monologues by bringing re-creative cohesion to the shattered lives of six very different women. [more]

BOMBSHELLS at Circa Two
reviewed by Ewen Coleman (The Dominion Post) 30 Jul 2008
Characters of substance
... And as the title suggests this is a bombshell of a show, energetic with pace and pizzazz mixing humour with pathos, showing six different women running the full gamut of emotions most women go through at some point in their lives. [more]

BOMBSHELLS at Circa Two
reviewed by Lynn Freeman (Capital Times) 6 Aug 2008
Harper the right stuff
Solo shows are tough enough, but when a playwright gives an actor six very different characters, that’s either mean, or a superb opportunity to show what you’re made of. [more]

BOMBSHELLS at Circa Two
reviewed by Elspeth Sandys (New Zealand Listener) 16 Aug 2008
Six characters in search of an insight
Bombshells, by multi-talented Australian playwright Joanna Murray-Smith, came into being as a result of a Melbourne Theatre Company commission for a piece designed to display the talents of actress Caroline O’Connor. It might equally as well have been written with our own Ali Harper in mind, Harper being an actress not afraid to explore the farthest reaches of her impressive versatility. [more]

BOMBSHELLS at Musgrove Studio, Maidment Theatre
reviewed by Shannon Huse (New Zealand Herald) 4 Sep 2008
Acting’s appealing but the play’s a stinker
All plays require a successful marriage of performer, direction, design and playwright, but for a one-person play it is even more crucial that all elements are in place. [more]

BOMBSHELLS at Musgrove Studio, Maidment Theatre
reviewed by Jesma Magill (Howick and Pakuranga Times) 4 Sep 2008
One woman does everything
The modern woman’s lament seems to be that in trying to do everything, they do nothing well. But in Bombshells, a play just opened in Auckland, Wellington actor Ali Harper does everything and what’s more, she does it all superbly. [more]

BOMBSHELLS at Musgrove Studio, Maidment Theatre
reviewed by Lesley Staniland (Bay of Plenty Times) 18 Sep 2008
Shell-shocked by this woman’s huge talent!
Ali Harper has talent _ that’s talent with a capital T-A-L-E-N-T. Ask anyone who packed the Mosaic Theatre last night and they’ll agree _ she was superb. [more]

Tempo Festival of Dance 2008
BOND 008 at Dorothy Winstone Theatre, Auckland Girls’ Grammar School
reviewed by Cat Gwynne 11 Oct 2008
Absolutely FULL of talent
Exploring the traditional themes found in Bond movies, of good, evil and ever-prevailing love through the medium of hip hop dance, Triple 8 live up to their reputable past and stun their fans with choreography so fresh it’s dripping. [more]

BONE at Circa Two
reviewed by John Smythe 18 May 2008
A rich experience of three lives
In stripping its three characters back to the bone, this play takes an x-ray snapshot of contemporary England, or parts of it at least. And in the process of plumbing their darker depths, as each wrestles in private with intense emotional stress, it generates an extraordinary amount of humour. [more]
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