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LEN LYE THE OPERA at Maidment
reviewed by William Dart (New Zealand Herald online) 6 Sep 2012
Stimulating work deserves longer life
Ten years in the making, with a full house on opening night, Len Lye the Opera was an arresting piece of musical theatre. A clever libretto by Roger Horrocks pretty much nailed the maverick Kiwi art hero and Eve de Castro-Robinson laced it with stylish, zesty music. [more]

I HEART CAMPING at The Basement, Lower Greys Ave
reviewed by Lillian Richards 25 Feb 2010
A fantastic, brave, funny, warm cast
“I heart camping: It’s in tents.” I only got the puntastic nature of the above quip after my partner read it aloud. Yeah, it’s pretty intense. [more]

MOTHERLOCK at Shed 9, Rhubarb Lane Development, 90 Wellesley Street
reviewed by Lillian Richards 18 Sep 2010
Bemoaning the outcomes of thoughtlessness
Motherlock is based around the assumption that you both can and cannot define a mother: her role, her behaviour and her basis in reality. Being a mother is both something that happens to you and something you choose; it is a reality, an unreality, a happening, a catastrophe; it is a natural occurrence. [more]

DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD at The Basement, Lower Greys Ave
reviewed by Lillian Richards 30 Sep 2010
The tone shifts from stupid to angry to sexual to sad, like you’re inside of a teenager’s hormonally charged body
... It is in fact a supremely clever, humiliating and genuine look at teenage loserdom, lostness, despair and hope. A sublime selection of teenage torments, misconceptions and parodies that lets you laugh but doesn’t fail to make you feel. [more]

SHIP SONGS at The Pumphouse, Takapuna
reviewed by Frances Edmond (New Zealand Listener) 16 Aug 2008
Hello Sailor
Before a full house in the intimate space of the PumpHouse Theatre in Takapuna, Ian Hughes premieres his one-man show, Ship Songs, entering casually and setting the tone with a sweet sad ballad of a maid’s enduring love. [more]

WEAPONS OF SELF DESTRUCTION at Vector Arena, Parnell
reviewed by Russell Baillie (New Zealand Herald) 22 Nov 2010
Rude and crude, yes … but utterly brilliant too
Freed from the constraints of Hollywood, Robin Williams takes stand-up to an old level. Save for some solid dramatic roles, Robin Williams' screen career has largely gone from Mork to mawkish. [more]

FLIGHT OF THE CONCHORDS TOUR OF NZ! at Auckland Town Hall
reviewed by Russell Baillie (New Zealand Herald) 18 Jun 2012
Basking in glow of big-time Conchords
The last time Flight of the Conchords played in Auckland it was a comedy festival stint at the Classic. Back then, they were an up and coming act. And they up and went - their live show made the leap to a BBC radio series, two seasons of the HBO sitcom, Grammy-winning big-selling albums with all of the above making them a comedy stadium act on both sides of the Atlantic. [more]

RITA AND DOUGLAS at Kings & Queens, Performing Arts Centre
reviewed by Patrick Davies 6 Oct 2012
Freshness, vitality, clarity and quality
A simple meeting for coffee between two artists turns into a relationship that will provoke and help define the other for the rest of their lives. The story of Rita Angus and Douglas Lilburn’s relationship is the stuff of legend and brilliantly realised in this Dave Armstrong / Conrad Newport collaboration. [more]

CONFESSIONS OF A DRAG QUEEN at BATS
reviewed by Uther Dean (Salient) 27 Nov 2009
Flawed but still a hoot and fun wee night out
Confessions of a Drag Queen rides a very fine line. It is half drag floor show with the glamourous Rhubarb Rouge backed up by the equally glamourous Kay Smith and Hayley Sproull dancing and lipsyncing to all the camp classic standards with energy and joy saturating the stage like some kind of obscene fun factory. The other half is more dramatic ... [more]

MUSIC AND ME at BATS
reviewed by Uther Dean 6 Sep 2012
Great potential undercut by avoidable technical elements
Music and Me is, at its best, a refreshingly gritty look at what life is like for the forgotten and down-trodden in South Auckland that crackles with witty one-liners. It is sad, however, that in a production strewn with tragedy, the greatest tragedy is how little it is at its best. [more]
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