![]() reviewed by William Dart (New Zealand Herald online) 6 Sep 2012 |
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Stimulating work deserves longer life Ten years in the making, with a full house on opening night, Len Lye the Opera was an arresting piece of musical theatre. A clever libretto by Roger Horrocks pretty much nailed the maverick Kiwi art hero and Eve de Castro-Robinson laced it with stylish, zesty music. [more] |
![]() reviewed by Lillian Richards 25 Feb 2010 |
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A fantastic, brave, funny, warm cast “I heart camping: It’s in tents.” I only got the puntastic nature of the above quip after my partner read it aloud. Yeah, it’s pretty intense. [more] |
![]() reviewed by Lillian Richards 18 Sep 2010 |
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Bemoaning the outcomes of thoughtlessness Motherlock is based around the assumption that you both can and cannot define a mother: her role, her behaviour and her basis in reality. Being a mother is both something that happens to you and something you choose; it is a reality, an unreality, a happening, a catastrophe; it is a natural occurrence. [more] |
![]() reviewed by Lillian Richards 30 Sep 2010 |
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The tone shifts from stupid to angry to sexual to sad, like you’re inside of a teenager’s hormonally charged body ... It is in fact a supremely clever, humiliating and genuine look at teenage loserdom, lostness, despair and hope. A sublime selection of teenage torments, misconceptions and parodies that lets you laugh but doesn’t fail to make you feel. [more] |
![]() reviewed by Frances Edmond (New Zealand Listener) 16 Aug 2008 |
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Hello Sailor Before a full house in the intimate space of the PumpHouse Theatre in Takapuna, Ian Hughes premieres his one-man show, Ship Songs, entering casually and setting the tone with a sweet sad ballad of a maid’s enduring love. [more] |
![]() reviewed by Russell Baillie (New Zealand Herald) 22 Nov 2010 |
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Rude and crude, yes … but utterly brilliant too Freed from the constraints of Hollywood, Robin Williams takes stand-up to an old level. Save for some solid dramatic roles, Robin Williams' screen career has largely gone from Mork to mawkish. [more] |
![]() reviewed by Russell Baillie (New Zealand Herald) 18 Jun 2012 |
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Basking in glow of big-time Conchords The last time Flight of the Conchords played in Auckland it was a comedy festival stint at the Classic. Back then, they were an up and coming act. And they up and went - their live show made the leap to a BBC radio series, two seasons of the HBO sitcom, Grammy-winning big-selling albums with all of the above making them a comedy stadium act on both sides of the Atlantic. [more] |
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reviewed by Patrick Davies 6 Oct 2012 |
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Freshness, vitality, clarity and quality A simple meeting for coffee between two artists turns into a relationship that will provoke and help define the other for the rest of their lives. The story of Rita Angus and Douglas Lilburn’s relationship is the stuff of legend and brilliantly realised in this Dave Armstrong / Conrad Newport collaboration. [more] |
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reviewed by Uther Dean (Salient) 27 Nov 2009 |
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Flawed but still a hoot and fun wee night out Confessions of a Drag Queen rides a very fine line. It is half drag floor show with the glamourous Rhubarb Rouge backed up by the equally glamourous Kay Smith and Hayley Sproull dancing and lipsyncing to all the camp classic standards with energy and joy saturating the stage like some kind of obscene fun factory. The other half is more dramatic ... [more] |
![]() reviewed by Uther Dean 6 Sep 2012 |
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Great potential undercut by avoidable technical elements Music and Me is, at its best, a refreshingly gritty look at what life is like for the forgotten and down-trodden in South Auckland that crackles with witty one-liners. It is sad, however, that in a production strewn with tragedy, the greatest tragedy is how little it is at its best. [more] |
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