 reviewed by John Smythe 24 Aug 2011 |
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Chalk one up to love “I want my daughter to see this,” a young mother said on her way out. For all the joy Chalk offers those who love to watch versatile young actors create multiple roles with wit and skill, it is confronting the realities of an aging population that has the most profound effect. This play delivers on its purpose. [more] |
 reviewed by John Smythe 25 Aug 2011 |
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Provocative at a very personal level Sustained applause greeted the Wellington premiere ... After 95-odd minutes of not quite knowing where to place ourselves in relation to a quaintly Victorian yet deeply committed woman’s observations and actions, we are left stimulated and powerfully engaged with its potently relevant themes. [more] |
 reviewed by John Smythe 1 Sep 2011 |
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Highly entertaining, insightful and thought-provoking Using ‘popular people’s theatre’ conventions with flair, 11 actors cover 47 named roles plus umpteen extras, brilliantly integrating tireless ensemble work with concisely defined characters, some of whom recur while others are caught in a glimpse. [more] |
 reviewed by John Smythe 8 Sep 2011 |
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Too good an idea not to be a full length play The quests for engagement, connection, communication – if necessary through confrontation, provocation and/or shock – are ever-present in arts practice, and in life, and so it is with Kate Morris’s Sketch, directed by Eleanor Bishop. [more] |
 reviewed by John Smythe 8 Sep 2011 |
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A superbly natural taonga It takes supreme skill and a quiet confidence to distil this life-story, involving iconic moments of rugby history, down to a 75 minute solo performance, abetted by some equally simple and very effective design elements ... [more] |
 reviewed by John Smythe 28 Sep 2011 |
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Deeply simple fun with angst Sarah Delahunty and her 1st Gear Productions senior troupe have created a dynamic hour of theatre that almost defies description because to put what happens into words will almost inevitably diminish it. But hey, that’s my job so I have to try. [more] |
 reviewed by John Smythe 5 Oct 2011 |
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Diversity unified in timeless tale Big Love is a New Zealand production influenced by Asian theatre practice of an American playwright’s relatively comedic reworking of an ancient Greek tragedy which is thought to be the earliest surviving play of the western world. [more] |
 reviewed by John Smythe 3 Feb 2013 |
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Well-wrought production hits many moments of truth Greek drama pits human fallibility against the ruthlessly absolute rules of the Gods (for which we may substitute the forces of nature in this more scientific age). American writer Charles Mee’s Imperial Dreams trilogy has re-contextualised tragedies by Euripides by way of exposing the nature of modern warfare’s impact on society. [more] |
 reviewed by John Smythe 10 Oct 2011 |
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A bit too predetermined? The premise of this Spaced Out Improvisors holiday show is that Captain Bob is rocketing off to some planet or other but his Mother is preparing his birthday party and he’ll be in trouble if he’s not back in time. [more] |
 reviewed by John Smythe 12 Oct 2011 |
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Something of value will always materialise before our very eyes My spontaneous response to the opening night of this year’s NZ Improv Festival at Bats is that the must-see show, so far, is Rebecca De Unamuno is… OPEN TO SUGGESTION, and there is only one more chance, on Friday 14 October (8pm). More on her una muno ... [more] |
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