![]() reviewed by James Wenley 16 Jul 2012 |
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Perfect Theatrical Blend The Guru of Chai brews his tea to perfection, carefully measuring the exact combination of herbs and spices. It is an art that simmers through this play. He’s unappreciated at his stall, plagued by Starbucks. We don’t get to sample his tea, but I’ll wager this: He’s an even better storyteller. [more] |
![]() reviewed by Ewen Coleman (The Dominion Post) 16 Jul 2012 |
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Icon’s engaging trip through great musical era As infamous as he was famous, Phil Spector has been one of the most influential people in the music industry post Rock and Roll. Developing the Spector ‘Wall of Sound’ production technique out of the Brill Building studios in New York, and with the creation of his girl groups such as The Ronnettes and The Crystals, he produced over 25 top 40 hits between 1960 and 1965. [more] |
![]() reviewed by Ewen Coleman (The Dominion Post) 16 Jul 2012 |
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Chat show interesting but rather unconvincing Having had little in the way of entertainment on stage recently Downstage Theatre has now curiously branched out into something new with a magazine-style web TV chat show called FixTV that they are hosting in collaboration with Cuba Creative and Random Films. [more] |
![]() reviewed by Michael Boyes (The Lumiere Reader) 16 Jul 2012 |
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Quirky, fun, upbeat Phil Spector, the man who straddled the music industry and lived to tell the tale, has proven to be a veritable gold mine in the excessively capable hands of New Zealand’s favourite girl group, the Beatgirls. [more] |
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THE SOLO PROJECT MMXII at Old Boy’s Theatre, Christ’s College reviewed by Toby Behan 15 Jul 2012 |
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Solo Project 2012 Shows Poise, Creativity and Variety.” 202's Solo Project presents a quality evening of contemporary dance for Christchurch audiences whilst allowing both emerging and established artists to create and perform. [more] |
![]() reviewed by Virginia Kennard 15 Jul 2012 |
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Superb Spector-inspired spectacle Split into two Acts, Spector is a biographical trip through the life and music of Phil Spector: record producer, songwriter, Rock and Roll’s legendary madman. For opening night, guests were invited to dress up in all things 1960s-70s, in celebration of the songs to be performed – a range of vocal treats produced, written or inspired by Spector – though none of the audience’s costumes could live up to the fabulous rainbow dresses that adorn the BeatGirls at the beginning of Act II. [more] |
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EN ROUTE - IN TO at Musgrove Studio, Maidment Theatre reviewed by Jenny Stevenson 15 Jul 2012 |
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Thematic links act as stepping stones Some of the works come fully-formed but several appear to be first-drafts of ideas that will bear future development. As in the first series, Sean Curham’s lighting design is a major factor in creating a cohesive continuity to the works. [more] |
![]() reviewed by Raewyn Whyte 15 Jul 2012 |
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Fusion forms finding their feet Phoenix has been exploring the concept of fusion forms for some time, and their current signature work Union has been widely presented over the past two years. It shows what can be achieved when there is a thorough understanding of the base form and the add-ons. A section from that work provided the finale to this show, with fan veils manipulated to create images of sunrise and sunset, volcanic explosions, and the golden fire which re-creates the phoenix as it rises from the ashes. [more] |
![]() reviewed by Kimberley Buchan 14 Jul 2012 |
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Dealing with dependence Written, directed and designed by Nigel Ensor, Winkie is a slow-paced play which explores attitudes toward disability. The stresses of caring for someone completely dependent are shown through episodes that, like real family life, are centred on mealtimes. [more] |
![]() reviewed by Barbara Frame (Otago Daily Times) 14 Jul 2012 |
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Dark social issue shown Winkie's real name is Gavin, and although he's 40, he needs the kind of attention that a toddler does. In their modest flat, his mother has given him a lifetime of patience, self-denial and love. [more] |
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