 reviewed by Maryanne Cathro 8 Apr 2010 |
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Engaging, moving, provoking, satisfying I love Edward Albee’s plays: the bitter sweet toying with words as if they were alternately or randomly even; chocolates and razor blades. He is as essentially American as Truman Capote or John Updike, all bringing an irrepressible sense of storytelling to their work. [more] |
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reviewed by Laurie Atkinson 10 Apr 2010 |
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Playful theatrical sonnet portrays ageing love story The title of Edward Albee’s rarely performed play Counting the Ways refers to Elizabeth Barrett Browning’s most famous sonnet in her Sonnets from the Portuguese. (“How do I love thee? Let me count the ways.”) [more] |
 reviewed by Melisa Martin 30 May 2012 |
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Chaos, wit, everyday dialogue, tears, laughter, shock, fear and drama flawlessly combined Set in a typical student flat, three flatmates come up with a plan to cook top-grade methamphetamine for a sociopathic crime boss, for six months, for a massive cash return; as if being a student weren’t already hard enough! [more] |
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reviewed by James Wenley 31 May 2012 |
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Drugs are bad, mmmkay? You just know that things are going to come crashing down in Course Related Costs, the only questions are how, and how badly. [more] |
 reviewed by Nik Smythe 10 Sep 2010 |
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Good for more than a few chuckles It’s a quiet Thursday evening on the second of four nights in the Musgrove Studio where thirteen fledgling improvisation artists compete in a series of events in a tournament of the style otherwise known as Theatresports (where the rights to use that title are possessed). [more] |
 COVERT IMPROV NIGHT (NZ) at Musgrove Studio, Maidment Theatre reviewed by Caoilinn Hughes 1 May 2010 |
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Tied up in ropes and told to swim It’s rookie improv night at the Maidment’s Musgrove Studio: the final night tonight (May 1st) and it’s sold out! Rightly so, as the graduates of the Art of Improvisation workshop series deliver an energetic, slapdash hour of fun. [more] |
 reviewed by Gail Pittaway 2 May 2012 |
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Bovine absurdism and a tragedy of manners Silly or true? Through the unpredictable action and laughs, which are many in Cow/Fold, runs a strong theme about caring and listening. [more] |
 reviewed by Matt Baker (Theatre Scenes - Auckland Theatre Blog) 14 Sep 2012 |
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A Bittersweet Mouthful Cowboy Mouth was once described as co-writer Sam Shephard’s ‘most thinly-veiled autobiography.’ However, his resultant abandonment of the production prior to the second night’s performance (he starred alongside his co-writer and lover at the time, Patti Smith) indicates that perhaps the piece was less of a thin veil, and more of a deluge of emotionally packed stream of conscious writing that hit Shephard too close to home during performance. [more] |
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reviewed by Nik Smythe 16 Sep 2012 |
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Food for thought in trans-dimensional rock ’n’ roll absurdism The multi-faceted aura that emerges under Madhan’s adventurous direction suggests a kind of psychedelic prism, where confusion between the realities of the actors and characters is deliberately concocted to evince a questioning uneasiness, such as with the actors’ faltering accents. [more] |
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NZ International Comedy Festival CRACKER INTERNATIONAL COMEDY SHOWCASE at SKYCITY Theatre reviewed by Venus Stephens 6 May 2009 |
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Worth the air and carbon points they clock up Comedy shows should have a harassment warning on the tickets, to read like this: “Do not sit within the 1st three rows of the stage. Doing so will result in hazardous use of your personal life being used as comic fodder”. [more] |
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