KINGS OF THE GYM
by Dave Armstrong
directed by Danny Mulheron
Producer: Howard Taylor
at Circa One, Wellington
From 19 Jan 2013 to 16 Feb 2013
Reviewed by: John Smythe; Lynn Freeman (Capital Times); Laurie Atkinson (The Dominion Post);
PC v PE! – A BRAND NEW COMEDY – WORLD PREMIERE
From the team who brought you the smash hit The Motor Camp, playwright Dave Armstrong and director Danny Mulheron again combine talents to present a delightfully romantic and wickedly entertaining comedy set in a school gym.
Politically correct principal Viv Cleaver is transforming low-decile Hautapu High School. The only thorn in her side is the Phys-Ed department. Unfit Laurie Connor spends his days in the gym watching TV and gambling with his talented yet unambitious sidekick Pat Kennedy. But then student-teacher Annie Tupua arrives. Could this star netballer and born-again Christian prove to be the game-changer that Viv needs? Sparks fly as different players joust for position and battle for each other's souls in this big-hearted and comedy set in that most romantic of places – a school gym.
Kings of the Gym stars the brilliant Ginette McDonald (My Brilliant Divorce), Chapman Tripp Award winner Richard Dey (All my Sons) the very talented Paul McLaughlin (Peninsula) and delightful ingénue Acushla-Tara Sutton (The Truth Game).
A comedy in two halves, Kings of the Gym looks at the really important things in life: competition, compassion, Creation ... and PE teaching.
SEASON: 19 JAN – 16 FEB
Tues & Wed 6.30pm, Thurs to Sat 8pm
Tickets: $25 - $46
$25 SPECIALS – Friday 18th Jan, Sunday 20th Jan
After show Q & A Tues 22nd Jan
Bookings: (04) 801 7992 www.circa.co.nz
Pre-show dinner available at Encore – phone 801 7996
The road to Kings of the Gym
Playwright Dave Armstrong talks about the origins of his new play set in a school gymnasium, Kings of the Gym.
The initial idea for Kings of the Gym probably occurred in the mid 1970s in the gymnasium of my local secondary school. I remember back then that most gymnasiums in co-ed schools were like little man-caves – oases of testosterone where the PE teachers, who were usually male, ruled the roost. In their striped tracksuit trousers, with the ever-present whistles around their necks, these teachers would command us to go on long cross-country runs and play all sorts of games, which were highly competitive and very physical. Most of us enjoyed them but heaven help you if you were overweight, bookish or both. Liberal English, drama and art teachers wouldn't go near the school gymnasium, preferring the coffee plungers, literary magazines and pottery mugs of the staff room.
Though as a breed, PE teachers seemed to be very different from other teachers, I enjoyed their company immensely. They were almost all uniformly contemptuous of modern, progressive education and perhaps therein lay their appeal. After a day of interactive learning I quite enjoyed playing a highly physical and competitive game of now-forbidden bull-rush in the gym. What interested me is that my liberal teachers, whom I really liked and respected, couldn't believe that I enjoyed spending time in the company of the ‘Neanderthals' in the PE department. It was true that these PE teachers could be boorish and insensitive at times, very like Laurie in the play, but I also knew that these kings of the gym really liked kids. And it's very hard to dislike someone who likes you.
But Kings of the Gym is not really about PE teachers. The gym is merely the setting – that got me thinking about a variety of things. One was that a scummy, dirty gym of a tawdry failing low-decile school would be a really challenging place in which to set a romantic comedy.
But as well as being a gym rom-com, Kings of the Gym also looks at a number of issues, not just the obvious ones to do with politics and education, but also wider human issues such as tolerance.
We all think we are tolerant, but real tolerance is another issue altogether. As I was writing this play, a number of social and religious groups such as Destiny Church, Family First and Sensible Sentencing hit the headlines. Some of the members of these groups are highly intolerant, especially of gay rights groups, liberals, prisoners, schoolteachers and judges, to name a few. But I also noticed a growing intolerance amongst people like me to Christians and other conservative groups.
What would happen if people from these opposing groups found themselves all in the same place, say in a school gymnasium? It was then that I realised that even though only one of the four characters in Kings of the Gym is religious, this play is really about a battle for the soul. Each character seems to want every other character to think like them and believe what they believe – and are all prepared to fight to get their way. I found this battle both intriguing and at times very funny.
So how do I describe this battle for the soul set in that most unlikely colosseum – a school gymnasium? Kings of the Gym is definitely a comedy, though perhaps less of a farce than my last play at Circa, The Motor Camp. It features four good-natured intelligent characters who are fun to be with. Luckily, Kings of the Gym is performed by four good-natured intelligent actors who are fun to be with, so rehearsals, helmed by my old friend and colleague Danny Mulheron, have been a blast. We were also in the same PE class at school so have had a lot of fun recalling some of the more outrageous events that happened in our run-down, tawdry little school gym.
Kings of the Gym will make you laugh and no doubt rekindle some memories of stubby shorts, tracksuit trousers, and rompers in the school gym. But hopefully it will also get you thinking about some of the issues that are of importance in New Zealand today.
Laurie Connor: Paul McLaughlin
Pat Kennedy: Richard Dey
Viv Cleaver: Ginette McDonald
Annie Tupua: Acushla-Tara Sutton
Set Designer: Dennis Hearfield
Lighting Designer/Technical operator: Glenn Ashworth
Costume Designer: Gillie Coxill
Stage Manager: Oscar Mulheron
Set construction: Iain Cooper, John Hodgkins
Set Finishing/painting: Therese Eberhard, Lucy Muir
Pack-in: John Hodgkins, Iain Cooper, Simon Rayner, Petar Petrovich, Shaun O'Boyle
Lighting Crew: Jennifer Lal, Doug Bonallack, Simon Rayner
Publicity: Colleen McColl</p>
Graphic Design: Rose Miller – Kraftwork
House Manager: Suzanne Blackburn
Box Office: Linda Wilson
Photography: Stephen A'Court