TransFormative Experiences
Circus Bar 17b Allen Street, Wellington
19/02/2025 - 22/02/2025
Production Details
Written by Emma Jean, Indie Vine, Kate Spencer and Lily Catastrophe
Produced by Indie Vine and Kate Spencer
TransFornative Experiences features three friends: Emma Jean, Indie Vine, and Lily Catastrophe. Indie and Lily are trans, Emma is cis. As we’ve shared stories about our formative experiences, we’ve found that they’re surprisingly similar.
The show explores the shared experiences of womanhood, the experience of misogyny, and and overall feminist themes. Also lots of talks about boobs and/or vaginas.
TRANSport yourself and be TRANSfixed by the TRANSparency from this trio in their debut collaboration TRANSformative Experiences.
Circus Bar
Wednesday 19/2 – Saturday 22/2/2025
BOOK: https://tickets.fringe.co.nz/event/446:6235/
Performed by Emma Jean, Indie Vine and Lily Catastrophe
Music provided by Sian Feehan (also trans!)
Stage productions provided by Micah Bluebird (ALSO also trans 🏳️⚧️🏳️⚧️)
Comedy , Improv , LGBTQIA+ , Poetry , Stand-up comedy , Theatre ,
60mins
Transformative tips and tricks informative, intriguing and entertaining
Review by Margaret Austin 21st Feb 2025
Indie Vine, Lily Catastrophe and Emma Jean are at the Circus Bar, intent on sharing their TransFormative Experiences. They’re upfront about themselves: Indie and Lily are both transwomen and Emma is CIS. “These two found me in an alley and adopted me,” is the latter’s explanation for her inclusion in the show.
Indie’s on first. Her explanation for her change of state: “Girls have it better.” I wonder if we’re all agreed on that! Her mum evidently had a lot to answer for: guilty of taking performance enhancing drugs, albeit only for her croquet playing. Indie has just one good thing to say about her though and it involves something extremely helpful when discussing details of your operation with a surgeon. Those considering transitioning, take note.
Emma’s next. She introduces herself as and the oldest of the trio, as attested to by a part of her anatomy. She touches on boobs (no pun intended) and puts us through a wince making description of a gynaecological examination involving fifteen medical students. Ouch! Making a speech at her parents’ wedding was a highlight though. One small point: any accent, believe it or not even British, can be unfamiliar to an audience. A slightly slower delivery compensates.
Lily’s last – tells us straight, in more ways than one, from an all-boys school. Learning Latin is helpful if you really want to know the root word for parts of the body. So serious about transitioning that she wore high heels to a place most wouldn’t! More sensibly, she researches what to expect as a woman via algorithms and the internet. I wonder sometimes how those two technologies keep up! And we get further essential information about what you can and can’t ask of your surgeon.
These tips and tricks from three women, whose transformative experiences may not have encouraged us to follow suit, are intriguing and entertaining.
Copyright © in the review belongs to the reviewer




Comments
John Smythe February 22nd, 2025
Troy, it is a primary concern for reviewers to avoid spoilers so we imply and hint at the nature of a show rather than detail it. Margaret shares her experience of the event in a way that gives readers a clear sense of whether this show is one they should choose among the many available in the Fringe. That is a key purpose of reviews. It is not our responsibnility to provide pull quotes - although I'd have thought the heading would work as one. And by the way, I didn't see the show but, as the editor, instantly got the pun when I read it.Ayla Chamberlain February 21st, 2025
A wee bit harsh Troy! The Emma touches on boobs pun is because (unless she doesn't do it at every show) she does indeed touch her boobs during her performance, so as someone who watched it on opening night, I got that joke from margeret. This is a very vague review though, you are correct on that.Troy Malcolm February 21st, 2025
I'm not sure how Margaret keeps getting hired to write reviews when they are so poorly written. Did anybody read over this and ask her what on earth she meant by any of it? The paragraph about Indie Vine's set makes no sense at all, doesn't cover what kind of performance it was or how they did. Emma Jean's paragraph has no pun despite what the writer may think, and ends with a nothing comment about accents? Lily's paragraph at least makes sense, despite the reviewer giving no indication of whether these performers did well, whether the audience enjoyed it, or whether it is worth attending. Margaret's final sentence on the show truly sums up her review. Hopefully she enjoyed the show, and hopefully the performers have other reviews coming in because I doubt there is anything here that could be used as a pull quote.