Whanake sets out to explore the implications of colonisation in a bold and ambitious way, weaving together elements of te reo Māori and waiata. The recurring use of ‘Haere Mai!’ — a playful, inviting waiata — creates a striking contrast to the unfolding narrative, adding layers of irony and emotional depth. It’s clear the creative team has put a great deal of thought into bringing this vision to life

I particularly enjoy Tiaki Sharp’s performance. He absolutely nails his portrayal of a racist barber, a racist teacher and – surprise surprise – yet another racist show host! His commitment to each character makes for a sharp and memorable performance.

I’ve had similar experiences in school for instance, being taught the Moriori myth that a whole population was extinct. this lie has been perpetuated for many years despite the efforts of uri of Moriori creating opportunities for language revitalisation. A great comment on the deficits of our mainstream colonised education system!

The ensemble performance is creative and engaging from the get go, I can really feel the passion these artists have for their craft. Moreover, I particularly like that they make eye contact and connect with the audience – this is what makes drama feel real.

Whilst the whakaari tackles these taumaha issues, it doesn’t provide for a way forward. I almost want to see some of the characters experience their utu, or restoration. Perhaps that is the point of the show, to comment on the uncomfortableness of being Māori situated in Pākehā ecosystems.

As someone who has experienced just that, the next step once you become aware is to move into Māori echo chambers and fill your cup ā wairua, ā hinengaro! Go get your fill of Te Matatini and feel the aroha of your culture! That is what I would say to these downtrodden characters. Sometimes, when we give voices to the voiceless, it is about doing so in a way that empowers them instead of letting them wither in victimhood.

A big mihi to the direction choices of Ezra Jones Moki and the production crew – Production Manager, Viki Moananu; Stage Management, Stephanie David; Lighting Design, Alice Simpson – who bring the show alive.

Theatre thrives on bold decision making and it is always exciting to see young artists pushing boundaries. While this particular piece may resonate differently for each audience member, it’s clear that the team brings dedication and passion to the stage.

As the young actors and actresses Miren Welsh-Duffin, Moata Albrett and Ngarongonui Mareikura-Ellery develop more in their craft, it will be exciting to see their journey’s ahead traversing the theatre scene and upholding their responsibility to create, develop and share Māori stories, whilst paying homage to the rich whakapapa of Māori theatre in Aotearoa.

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