December 15, 2008

The CHAPMAN KIP THEATRE AWARDS (Wellington)

Editor    posted 21 Nov 2008, 09:44 AM / edited 22 Nov 2008, 09:24 PM

The 1st ANNUAL CHAPMAN KIP THEATRE AWARDS – People’s Choice!

(Click here for the full announcement)

This forum is for shows seen in Wellington throughout 2008 (if other cities want to play we will open separate forums).

THE CATEGORIES ARE: 

    Best Entrance of the Year……….

    The HACKMAN Award for Best Death of the Year………..

    Best Accent of the Year…………

    The BATS Award for Best Ass of the Year…………..

    Best Blind Acting in a 1960’s Thriller of the Year………….

    The Theatreview Award for Poster of the Year…………

    Best Cross-Gender Performance of the Year…………….

    The Free Theatre Initiative Award for Smallest Part of the Year……………

    Best Weapon of the Year…………..

    The Downstage Award for Best Pash of the Year…………..

    Best Costume of the Year……………..

    Best Use of Prop of the Year………………

    The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year……..

A Lifetime Achievement Award will be presented at the People’s Choice Awards Ceremony at:

The Pit Bar (at BATS)

on Friday the 12th of December

beginning at 11pm, expected to finish at 11.20pm.

There will be a number of spot prizes at the bar for all attendees.

Entry by Koha.

If you would like to suggest a nomination category, sponsor an award, donate a spot prize for the ceremony, or host a People’s Choice in your city please contact Kip Chapman at hackman.nz@gmail.com

Please post your nomination as a Reply to this Forum.

Zelda Edwards   posted 21 Nov 2008, 10:15 AM / edited 21 Nov 2008, 10:49 AM

The BATS Award for Best Ass of the Year…………..

By “Ass” do you mean “Asshole” or “Hot” Ass?

If I could nominate a “Hot Ass” then I would that would be Lee-Roy Swayze, for his Ass in Rock Around The Bitchmas Tree @ BATS 27-29 Nov.

Erin Banks           posted 21 Nov 2008, 10:28 AM / edited 2 Dec 2008, 12:19 PM

The HACKMAN Award for Best Death of the Year………..

I nominate Allan Henry as ‘Afortunado’, the incorrigible swinging Spaniard in A RENAISSANCE MAN who had to be killed at least 8 times (beaten, stomped on, stabbed, thrown overboard, drowned etc.)  before he finally gave up and died!

But in all seriousness…

Best Entrance of the Year……….Kate Prior – Revenge of the Amazons

The HACKMAN Award for Best Death of the Year………..Rob Lloyd shooting Jamie McCaskill – The Pillowman

Best Accent of the Year…………Heather O’Carroll – Guardians

The BATS Award for Best Ass of the Year………….. Salesi Le’ota – Revenge of the Amazons

Best Blind Acting in a 1960’s Thriller of the Year………….Ban Abdul – Wait Until Dark

The Theatreview Award for Poster of the Year…………A Renaissance Man

Best Cross-Gender Performance of the Year…………….Felix Preval – Sensible Susan and the Queen’s Merkin

The Free Theatre Initiative Award for Smallest Part of the Year……………Nick Dunbar’s wig – Drinking Games

Best Weapon of the Year…………..The Jandals – Where We Once Belonged

The Downstage Award for Best Pash of the Year…………..Allan Henry and Rachel Forman – This is Our Youth

Best Costume of the Year…………….The Clown’s head tap – Rubber Turkey

Best Use of Prop of the Year………………The jacket ‘friend’/skydive – Destination: Death

The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year……..  Dan Musgrove (OCD) – Blinkers

Welly Watch       posted 21 Nov 2008, 10:35 AM

How prescient of you Zelda! You’re clearly not superstitious … And here was I wracking my brains for a Shakespeare-type Bottom in the ‘Ass’ category …

But of course this is a bare-arsed grasp at fame by Kip Chapman himself, hoping to score a nom-de-nation for his booty-licious vulnerability in The Little Bitch Yapped at Downstage (as well she might!).

So Ok let’s indulge him – I bitch-slap Kip with a nomination in category 4.

Nell Williams      posted 21 Nov 2008, 10:57 AM / edited 21 Nov 2008, 11:34 AM

Best Use of Prop of the Year………………

I have to nominate the use of  the Merkin as a beard in the penultimate scene of Sensible Susan. Ridiculous!

(In the interests of nominational integrity, yes, you could say I’m biased, but I reckon I would have nominated it for this category even if I hadn’t been involved in the show. Honest.)

Michael Wray    posted 21 Nov 2008, 11:07 AM / edited 21 Nov 2008, 05:30 PM

1. Best Entrance of the Year……….

Brian Hotter in Heat. On knees, covered in black body paint, painted white torso. And, oh yeah, stark bollock naked except for knee pads. Comes in for a couple of seconds, throws a few staccato-like movements and then leaves. Did that just happen or did the Pit spike my drink?!

4. The BATS Award for Best Ass of the Year…………..

So many exposures. Was 2008 the year of the rear? Brian Hotter in Heat (see above), Kip Chapman in Little Dog. What about Aaron Cortezi’s back, sack (hold the crack?) in Mr Marmalade and I think also Heat (though I may have just had retina ass-burn by then and imagined it!)?

7. Best Cross-Gender Performance of the Year…………….

Tempted to go with the first thought that phrase conjures up around christmas i.e. Julian Wilson! For a serious award, Carol Smith in Ruthie Bird. Instead for making me think, “I thought Rachel Foreman was in this” until I realised the moustachioed astronaut was her (duh! me), I’ll nominate Rachel Foreman in Apollo 13.

Brianne Kerr       posted 21 Nov 2008, 11:08 AM / edited 21 Nov 2008, 05:32 PM

My Nominations . . .

Best Entrance of the Year………. Skating Fairies – Revenge of the Amazons

*****SPOILER*******

The HACKMAN Award for Best Death of the Year……….. Brian Hotter – HEAT

*****SPOILER ENDS*******

Best Accent of the Year………… Heather O’Carroll – Guardians

The BATS Award for Best Ass of the Year………….. Aaron Cortesi – HEAT

Best Blind Acting in a 1960’s Thriller of the Year…………. BAN ABDUL!!!! – Wait Until Dark

The Theatreview Award for Poster of the Year………… Theatre Militia – Sensible Susan and the Queens Merkin

Best Cross-Gender Performance of the Year……………. Rachel More – Renaissance Man

The Free Theatre Initiative Award for Smallest Part of the Year…………… Bruce – Revenge of the Amazons

Best Weapon of the Year………….. Politics – On the Conditions and Possibilities of Helen Clark taking me as Her Young Lover

The Downstage Award for Best Pash of the Year………….. Rachel Forman and Allan Henry – This is Our Youth

Best Costume of the Year…………….. Transformer Car – Hypnotastic

Best Use of Prop of the Year……………… Crushed Watermelon – Renaissance Man

x Bri

Michael Wray    posted 21 Nov 2008, 11:14 AM / edited 21 Nov 2008, 11:47 AM

For best costume, you could go with Salesi’s shiny short short short shorts in Revenge of the Amazons….. 

Transformer Car – Hypnotastic…. I’d forgotten about that one Bri, yeah that one was excellent.

Uther Dean         posted 21 Nov 2008, 11:19 AM / edited 21 Nov 2008, 05:31 PM

My noms –

Best Entrance of the Year – The Soldier in ‘Blasted’

The HACKMAN Award for Best Death of the Year – Aaron Cortesi gets it in the head in ‘Paua’

Best Accent of the Year – Jason Whyte in ‘Mammals’

The BATS Award for Best Ass of the Year – Bryon Coll in ‘The Taxi Guy’

The Theatreview Award for Poster of the Year – Apollo 13

Best Cross-Gender Performance of the Year – The Severe Majority of the cast of ‘Sensible Susan’

The Free Theatre Initiative Award for Smallest Part of the Year – The Rejected Goddess Diana in ‘The Storm’

Best Weapon of the Year – The Medicine Ball in ‘The Little Tragedies’

The Downstage Award for Best Pash of the Year – Hayden Frost and Anna Pearson in ‘RPM’

Best Costume of the Year – The transforming cars in ‘Hypnotastic’

Best Use of Prop of the Year – The tap in the clown’s head in ‘Rubber Turkey’

Aaron Alexander              posted 22 Nov 2008, 09:11 AM / edited 22 Nov 2008, 05:37 PM

Best Poster I’d vote for ‘Metamorphosis’.

Best Accent : Bruce Phillips (various) ‘The Man Lovelock etc etc’

Kip, how about the Sean Penn Awards-Bait Character With A Disability/Medical Condition Award?:

Ban Abdul (blindness) ‘Wait Until Dark’

Nick Dunbar (cancer) ‘Drinking Games’

Gavin Rutherford (undefined mental illness) ‘Love Song’

Aaron Cortesi (drug addiction & insubstantiality) ‘Mr Marmalade’

Must be more…

audience member           posted 22 Nov 2008, 10:17 AM / edited 22 Nov 2008, 11:31 AM

I have been wracking my brains trying to remember what has been so here you go:

Circa:

Streetcar named Desire

Jack And the beanstalk

Armslength

Rabbit

Who wants to be 100

This is Our Youth

The man that Lovelock Couldn’t beat

The American Pilot

Rome

Love Song

Bone

Mammals

Wait Until Dark

Some Girls

Bombshells

Drinking Games

The Pillowman

Red Riding Hood

Downstage:

Paua

Bare

Adagio

Helen Clark

The Lonesome Buckwhips

Little Dog laughed

Elemental

Te Karakia

Where We Once Belonged

Marilyn

March of the Meeklings

2b or nt 2b

My Brilliant Divorce

BATS:

Apollo 13

Heat

Guardians

Black Tuesday

Sensible Susan

Mr Marmalade

Man the Pie and the Taxi Guy

Jeff Koons

Young and Hungrys

Rubber Turkey

Grace

The Little Tragedies

Tuawhenua

destination: death

Don’t feed the man fish

eye of a dancer

Eiffel tower wedding party

in living memory

shining armor

winter

the mall

luv

metamorphisis

burnt coffee

handy man

the last 5 years

tim and andy

not the all india radio show

improv angels

hypnotastci

the lady bunch

Mrs peacock

the singularity

bouncers

shoes

ruthie bird

hail to the thief

blinkers

charlie

get cuffed

babycakes

a renaissance man

godzone

revenge of the amazons

Phew!!

Editor    posted 22 Nov 2008, 11:44 AM / edited 22 Nov 2008, 12:16 PM

That’s a great start A M – and then there were all those shows performed at other venues in Wellington, e.g. during the Fringe … If you click on Reviews (to the left), scroll to the bottom and click on page 73, you will get to the start of the year.  Then work your way back … Sorry we can’t filter for Wellington only.

Editor    posted 22 Nov 2008, 06:17 PM / edited 23 Nov 2008, 07:48 AM

Here is a revised full list (I hope) of theatre shows performed in Wellington during 2008 so far (not counting improv, dance and opera, which have also been reviewed on this site). It comes to 134 contenders!

Put any title into the ‘Search Reviews’ field to get to the reviews and thereby to the production pages.

Double ‘Bill’: Bottom’s Tale + Mr & Mrs The Scottish Play

The Little Dog Laughed (Wellington)

Heat

The Pillowman

AoTERRORoa

Unity (1918)

Apollo 13: Mission Control

One Man

Wait Until Dark

Adagio

Blasted

Mr Marmalade

The Pied Piper

Drinking Games

Montana World of WearableArt™ (WOW®) 2008

The Sound of Music

The Little Tragedies

Bare

Jenufa

The Devil’s Architect

Destination: Death

The Pohutukawa Tree

Some Girl(s)

Iphigenia In Orem

The Eiffel Tower Wedding Party

Jeff Koons

Shining Armour

Mammals

Winter

Black Tuesday

Go Solo 2008

Dora the Explorer Live! Dora’s Pirate Adventure!

Lear & His Daughters

The Pied Piper

Metamorphosis

The Snow Queen

Hinepau

A VOTE for CYNTHIA

Puss ‘n Boots

Strike: Elemental

The Illusion

ROME The Musical

Young and Hungry 08

Love Song

Spring Awakening

My Brilliant Divorce

Guardians

Songs of Hollow Hill

CATS

A Streetcar Named Desire

Ka Mate, Ka Ora

Bone

The Last 5 Years

Handy Man

The American Pilot

Tim and Andy: AN ADVENTURE

One Man Star Wards Trilogy (Canada)

Improv – The Rock Opera

(Not) The All India Radio Show

Cohen Holloway’s Hypnotastic Tour 2008

TheatreSports

Improv Angels

The Morrisons: Huntly High and Low

Rubber Turkey

The Lonesome Buckwhips’ Charity Gala

Tale of a Dog

Which Witch Is Which?

The Hollow Men

Office Boy

T h e S i n g u l a r i t y

The Storm

The Man That Lovelock Couldn’t Beat

Rabbit

Kiwi Moon

Shoes

Bouncers

Where We Once Belonged

LUV

The Dentist’s Chair

Zarathustra Said

this is our youth

Bro’ Town Live on Stage

Hail to the Thief

Ruthie Bird and the King of Hearts

Who Wants to be 100? (anyone who’s 99)

Get Cuffed!

Te Karakia

The Lindbergh Flight / The Flight Over the Ocean and The Seven Deadly Sins

Jane Austen Is Dead

Location Location

Lady of Tears

The Ghosts’ Soiree

Charlie

Blinkers

Wasps

The Serena Syndrome

Curious?

No Freedom Without You

Engaged

2 b or nt 2 b?

Sensible Susan & the Queen’s Merkin: A morality play

BabyCakes

Shipwrecked Beneath the Stars

March of the Meeklings: An Apocalyptic Romp

Vula

Six O’Clock Swill

The Nominal Space

Tap That II: The Reckoning

The Beckoning of Hope

Dostoevsky Trip

Familiar Strangers

21 Reasons

VünderBra!

The Cape

There’s You

And They Did.

Sex+Murder=Play

Project Exiles: the return of a man called Ulysses

The Man, The Pie and The Taxi Guy

Sleep/Wake

Ground

Presenting The Tinkles

Rabbit

PAUA

Armslength

On The Conditions and Possibilities of Helen Clark taking me as her Young Lover

A Renaissance Man

That’s 126 shows, plus (included in Chapman Tripp – and also Chapman Kip? – contention because they opened after the cut-off date for 2007):

A Renaissance Man

Godzone

Revenge of the Amazons

The Wind Speaks to Wellington

A Streetcar Named Desire

Roger Hall’s JACK and the BEANSTALK: The Pantomime

Urinetown: The Musical

The Kreutzer

That’s 134 contenders – have I missed anything out (or is something there that shouldn’t be)?

David Chambers               posted 22 Nov 2008, 11:32 PM

Surely there should be the “vulnerability and street wise cunning” award

Michael Wray    posted 23 Nov 2008, 12:50 PM / edited 23 Nov 2008, 01:08 PM

I make it 133 productions. The adjustments being the removal of 4 duplications and counting Young & Hungry as three separate shows rather than one.

It’s probably more… What about:

Spooked

Hotel

Funk Rabbit

Trial of the Cannibal Dog

Step Up Darlings

We went to approximately 100 of the listed shows… gulp!

audience member           posted 23 Nov 2008, 05:26 PM 

Most supportive theatre go-er: Michael Wray???

audience member           posted 23 Nov 2008, 05:27 PM

Most supportive theatre go-er: Michael Wray???

Rachel Forman posted 23 Nov 2008, 07:37 PM

Best Entrance of the Year…Bob the penguin. Heat.

Best Accent of the Year….Morgana O’reilley. The Mall.

The BATS Award for Best Ass of the Year…Brad Knewstubb. Apollo 13. Did you see how tight those pants were?!

The Theatreview Award for Poster of the Year… The “On the conditions…. of Helen Clark…” Billboard was pretty awesome. Rubber Turkey. Apollo 13.

Best Weapon of the Year… Michael Whalley’s/Whallen’s comic timing.

The Downstage Award for Best Pash of the Year…Richard Knowles and Kip Chapman. LDL

Best Costume of the Year…Kate Prior. Revenge of the Amazons

thomas pepperell             posted 25 Nov 2008, 06:25 PM

i was hoping someone would vote for kips and richards pash in LDL for best pash

i second that nomination

 if not then richards and renee’s same show

John Smythe      posted 25 Nov 2008, 09:07 PM

It is now possible to filter Reviews by region as well as Date, Production or Venue.

    From the main menu, click Reviews

    From the Region pick-list, select a region

    From the ‘Order by’ options, click either Date, Production or Venue.

Result: The list is sorted according to the criteria chosen.

Rachel Lenart     posted 28 Nov 2008, 11:52 AM

My nominations are below. Disclaimer that many of my nominations are biased, nepotistic  and at times downright corrupt. But I figure if politicians can vote for themselves on election day then Directors can nominate their shows and its still fairly valid…

Would like to suggest categories for Best Dance Routine and most hilarious original song.

Best Entrance:  Ralph McCubbin Howell- Eiffel Tower Wedding Party

Best Death: Patrick Davis- Blasted

and Richard Dey- Black Tuesday

Best Accent:  Heather O’Carroll- Gardians

and Charlotte Bradley (as Yoko Bollocks) March of the Meeklings

Best Ass: So many great asses this year, I’ve narrowed it down to 3

                  Patrick Davis- Blasted

                  Jake Preval- And They Did (I had the pleasure of seeing the show the night his pants ripped)

                  The Homosex Puppet- Sensible Susan and the Queen’s Merkin

Poster: Eiffel Tower Wedding Party

              Metamorphisis

              Black Tuesday

Cross Gender:  Felix Preval- Sensible Susan

Smallest part: The Homosex puppet- Sensible Susan

Best Pash: Richard Dey and Simon Smith- Sensible Susan

Best Costume:  The Radiograms- Eiffel Tower Wedding Party

                              The Girls in Grace

                             Queen Elizabeth- Sensible Susan

Best Prop:  The Merkin… As above…. several times

Disability:   Kate in Blasted

                       Ban Abdul (lets give her 2 awards)

Good luck, nominees!

Kip Chapman      posted 1 Dec 2008, 01:14 PM

From Martyn Wood!

Best Entrance of the Year………. Those two soldier dudes at the end of American Pilot

The HACKMAN Award for Best Death of the Year……….. The cast of Paua

Best Accent of the Year………… Morgana O’Reilly – The Mall

The BATS Award for Best Ass of the Year…………..Aaron Cortesi – Mr Marmalade

Best Blind Acting in a 1960’s Thriller of the Year…………. Ummmm…….

The Theatreview Award for Poster of the Year………… Metamorphosis

Best Cross-Gender Performance of the Year……………. Rachel More – A Renaissance Man

The Free Theatre Initiative Award for Smallest Part of the Year…………… There are no small parts, just small actors (so Byron Coll, coz he’s pretty short)

Best Weapon of the Year………….. The tape recorder – Some Girl(s)

The Downstage Award for Best Pash of the Year………….. Allan Henry and Rachel Forman – This Is Our Youth

Best Costume of the Year…………….. The Cactus and the Sunflower – Mr Marmalade

Best Use of Prop of the Year……………… Powerpoint – On the Conditions….Helen Clark….

The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year…….. Ben Hutchison – The Lonesome Buckwhips (Alcoholic)

 thomas pepperell           posted 1 Dec 2008, 01:39 PM

can i add: Best Entrance of the Year………. the police coming down from above in Paua

and well i had to go to my thea 101 notes for this cause i had Byron Coll get cuffed but thats best cross dresser   so for Best Cross-Gender Performance of the Year i’d say the cast of black tuesday

Dean Hewison   posted 2 Dec 2008, 07:45 AM / edited 2 Dec 2008, 08:43 AM

Sorry about the formatting… not sure how I get my spaces happening. [Fixed? ed]

The HACKMAN Award for Best Death of the Year……….. Suffocating your younger past self with your breasts, Hypnotastic

Best Accents of the Year………… Brooke Williams / Byron Coll, Mr Marmalade

The BATS Award for Best Ass of the Year………….. Aaron Cortesi. Maybe not the best, but very prolific. It should get a facebook page.

Best Blind Acting in a 1960’s Thriller of the Year…………. Ban Abdul

The Theatreview Award for Poster of the Year………… Metamorphosis

Best Cross-Gender Performance of the Year……………. Felix Preval, Sensible Susan

Best Weapon of the Year………….. Vase of acid, Wait Until Dark

Best Costume of the Year…………….. Transforming cars, Hypnotastic

Best Use of Prop of the Year……………… Mogwai turning into Gremlins, Hypnotastic

Kate Prior            posted 3 Dec 2008, 05:41 PM / edited 3 Dec 2008, 09:29 PM

Best Entrance of the Year …………………..The saved returning astronauts – Apollo 13.

Best Death of the Year ……………………….All of them in Paua.

Best Accent of the Year ………………………Byron Coll, Mr Marmalade

Best Ass of the Year …………………………..Yup, Aaron Cortesi in any play you want

Best Blind Acting in a 1960’s Thriller ……Ms Abdul

Poster of the Year ……………………………..The Mall/Luv

Best Cross-Gender Performance ……………Rachel Forman in Apollo 13

Best weapon ……………………………………Kate Prior’s breast in Revenge of the Amazons/Heat/Any play you want.

Best Pash ………………………………………..Kip and Richard – The Little Dog Laughed

Best Costume …………………………………..The ever-transient body paint of Bob the Penguin – Heat

Best Use of Prop ………………………………..I second Martyn’s powerpoint call for ‘On the Conditions….’

The Award for Actor playing a Character

with a Disability/Medical Condition ………Rob Lloyd’s blind boy in Paua

Zelda Edwards   posted 4 Dec 2008, 11:22 AM / edited 8 Dec 2008, 03:21 PM

* Best Entrance of the Year………. Aunty Entity aka Tina Turner, Rock Around The Bitchmas Tree

* The HACKMAN Award for Best Death of the Year……….. Paua – all

* Best Accent of the Year………… Brooke Williams, Mr Marmalade

* The BATS Award for Best Ass of the Year………….. Lee Roy Swayze & Aaron Cortesi

* Best Blind Acting in a 1960’s Thriller of the Year…………. BAN BAN BAN BAN

* The Theatreview Award for Poster of the Year………… Six O’Clock Swill

* Best Cross-Gender Performance of the Year……………. All the cast from Sensible Susan & The Queens Merkin: Bex, Felix, Hannah, Simon, Ricky. Also Rachel Forman was super hot as a man in Apollo 13

* Best Weapon of the Year………….. Fish Rockets things on sticks from Transforming cars, Hypnotastic it was like a weapon right?

* Best Costume of the Year…………….. Transforming cars, Hypnotastic

* Best Use of Prop of the Year……………… Merkin

* The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year…….. BAN BAN BAN BAN

Thomas LaHood                posted 4 Dec 2008, 08:28 PM / edited 4 Dec 2008, 08:38 PM

Sorry Zelda, your posting got caught in the SPAM TRAP!!!  So I fished it out.  Just wanted to let you know, I’m out here, doing my bit.

Don’t feel like I need to add to the nominations already on the table except for this, a CLEAR winner in my esteem:

Best Entrance:  Byron Coll in Mr Marmalade.

The audience could not stop laughing.  All he did was walk through the door with his hands in his pockets.  Pure clown.

Zelda Edwards   posted 5 Dec 2008, 09:14 AM

Thanks Thomas

After last night I have to add one more

Best Pash ……………………………………….. Kate McGill  & Hadleigh Walker (Christmas Indoors)

Charlotte Larsen               posted 8 Dec 2008, 03:05 PM    

Award for clearing up after a drunken after Chapman Tripp party in a spa pool – Kip Chapman and Willem Wassenaar!! You guys rock! Now who vomited in my sink?!

Willem Wassenaar           posted 10 Dec 2008, 10:37 AM

Will be away, but very excited to hear the outcome!! Good luck to all nominees! The theatre revolution has begun! Go Hackman for organizing the most prestegious and wanted awards for Wellington Theatre. (Apologies for nominating my own show Colony! in so many categories, but it happened that this show totally fit the criteria and calibre of these awards, FYI Colony! has a demand return season in the 2009 Wellington Fringe Festival.)

The Jason Whyte Award for Best Entrance of the Year………. Byron Coll in Marmalade without question

The HACKMAN Award for Best Death of the Year……….. The collective suicide jump in the oceon by the cast of Colony!; after this they performed a circus at the bottom of the sea

Best Accent of the Year………… Hayden Frost (Bozo the Mute Mime) in Colony!

The BATS Award for Best Ass of the Year………….. Difficult, most revealing ass must say Aaron Cortesi, got intrigued by the tattoo above his bum and reckon this could be a unique selling point, very recognizable and saw his copyright again shining in HEAT 

The Theatreview Award for Poster of the Year………… Blinkers, also because of the poloroid flyers

The Theatre Militia Award for Best Cross-Gender Performance of the Year……………. Lady Trenyce aka Daniel Williams in the closing night of Jeff Koons, sitting as a silent set object with 50 yellow balloons attached to his dress and head piece; PERFORMANCE ART AND VERY POSTMODERN

The Free Theatre Initiative Award for Smallest Part of the Year…………… CACTUS AND SUNFLOWER IN MARMALADE – but ofcourse there are no small parts, only small actors (Stanislavski)

Best Weapon of the Year………….. To kill theatre is the non smoking rule in NZ theatre

The Downstage Award for Best Pash of the Year………….. Biased but its the outrageous kissing of the incestious Siamese twins in the orgy climax of Colony! Ally Garrett and Phillisophia JasonSmith, surrounded by a Bearded Lady, a homosexual Mute Mime and his Ring Master, and a Fortune Teller. Even John Smythe leaped of his chair. By the way, Colony! hits the theatre of WPAC again in the  2009 Wellington Fringe Festival. Do not miss it! 6-9 February.

Best Costume of the Year…………….. The entire cast of Apollo, HOT! Wished I was working in an office with that kind of suit requirements…

Best Use of Prop of the Year……………… Powerpoint in Helen Clark, multimedia becomes a cult statement!

The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year…………….. The Bearded Lady (Imogen Zino) in Colony! trying to find a lover through messages in a bottle. Imogen succeeded in having the audience in hysterics non stop. But also Nick Dunbar in Drinking Games (cancer) for more serious and sophisticated reasons.

GO 2009!!!

Willem Wassenaar           posted 10 Dec 2008, 11:06 AM

Sorry… and sorry Ryan. Need to change my nominee.

The Free Theatre Initiative Award for Smallest Part of the Year……………

is COLLEEN DAVIS FOR HER PASSIONATE PERFORMANCE AS THE SPANISH WOMAN IN THE SUICIDE DOOR OF BATS / MR. MARMALADE. La Coco at her best!

Aaron Alexander              posted 10 Dec 2008, 11:31 AM

 And my nomination for Most Shameless Self-Promotional Leveraging of These Very Awards is…Mr. Wassenaar.

Rachel Forman posted 10 Dec 2008, 06:07 PM

Shouldn’t we all think our own work is the best Aaron? I’m not a believer in striving for mediocrity, i want everything i do to be the best it can be. I don’t think we should be modest about that.

Kate McGill         posted 10 Dec 2008, 08:12 PM

I agree – as you’ll see from a couple of my Nominations – I wholeheartedly support people nominating themselves

    Best Entrance of the Year………. Bob the Penguin in HEAT

    The HACKMAN Award for Best Death of the Year……….. Everyone in PAUA

    Best Accent of the Year………… Ginette McDonald in MY BRILLIANT DIVORCE (the cleaning ladies were researched thoroughly I guarantee you that)

    The BATS Award for Best Ass of the Year………….. Aaron Cortesi in several BATS shows

    Best Blind Acting in a 1960’s Thriller of the Year…………. Ban Abdul has it in the bag!

    The Theatreview Award for Poster of the Year………… VunderBra!

    Best Cross-Gender Performance of the Year……………. Rachel Forman in APOLLO 13 – Incredible

    The Free Theatre Initiative Award for Smallest Part of the Year…………… Leon Wadham/Salesi Leota in REVENGE OF THE AMAZONS

    Best Weapon of the Year………….. Allan Henry’s rapier in RENAISSANCE MAN

    The Downstage Award for Best Pash of the Year………….. Ally Garrett and PhylliSophia JasonSmith in COLONY

    Best Costume of the Year…………….. Cactus and Sunflower in MR MARMALADE

    Best Use of Prop of the Year……………… A tie between The little Dog in MY BRILLIANT DIVORCE (- Go John Harding!) and the teapot in MR MARMALADE (it was a phone, a light, a teapot…endless)

    The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year…….. Hannah Clarke in WIND SPEAKS TO WELLINGTON

So there you have it.

I would also like to nominate best publicity in Wellington:

A tie between Phil Reed for APOLLO and Brianne Kerr for THE KREUTZER (and pretty much half the shows on this year!!!!)

Uther Dean         posted 10 Dec 2008, 10:15 PM  

I’m changing my pick for best weapon of the year. Willem is right, no smoking on stage is the greatest weapon pointed at local theatre, so I’m gonna go with that.

John Smythe      posted 10 Dec 2008, 11:00 PM

I’m picking up the smoking on stage issue in a separate forum

Hannah Clarke   posted 11 Dec 2008, 09:04 AM

    Best Entrance of the Year………. Felix Preval out of the wardrobe.

    The HACKMAN Award for Best Death of the Year……….. Grace – for faking it.

    Best Accent of the Year………… Heather O’Carroll Guardians

    The BATS Award for Best Ass of the Year………….. Tanya Drewery in Step Up Darlings/Heavenly Burlesque/Gravity and Other Myths/generally on the street.

    Best Blind Acting in a 1960’s Thriller of the Year…………. ummm, possibly Ban?

    The Theatreview Award for Poster of the Year…………  The Kreuzter

    Best Cross-Gender Performance of the Year……………. Bex Joyce as Mikey in Black Tuesday

    The Free Theatre Initiative Award for Smallest Part of the Year…………… Hannah Smith’s penis in Sensible Susan

    Best Weapon of the Year………….. Merkin.

    The Downstage Award for Best Pash of the Year………….. Leighton Smith and Cheryl Amos in Shoes. still makes me shudder.

    Best Costume of the Year……………..  the jelly fish in Heavenly Burlesque

    Best Use of Prop of the Year……………… the cars in Hyponotastic

    The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year…….. me please, actual disabled/medical conditioned with dumbass broken foot.

The Pit Bar would also like to sponsor an award “best spread-eagled performance…. and I’d like to nominate Bryony Skillington in Get Cuffed.

The Pit Bar would also like to be recognised for the best barwench boobs on offer in any theatre bar in town.

AND! I want to tell…

confirmed for the Chapman Kips is DUKE FEZ bringing you some fine tune stylings. Drink specials all round.  And don’t forget The Pit Bar closes for the year on Saturday. Come help us use up all our beer stock!

Sophie Hambleton           posted 11 Dec 2008, 09:49 AM

1. The Jason Whyte Award for Best Entrance of the Year………. Byron Coll – MR   MARMALADE

2.The HACKMAN Award for Best Death of the Year……….. The Cast of Paua

3.Best Accent of the Year………… Byron Coll – MR MARMALADE

4.The BATS Award for Best Ass of the Year………….. Aaron Cortesi

5.Best Blind Acting in a 1960’s Thriller of the Year………….Ban Abdul

6.The Theatreview Award for Poster of the Year…………VunderBra! – Yes I designed it and I’m in it but I still think it’s the best….

7.The Theatre Militia Award for Best Cross-Gender Performance of  Year……………. Rachel Forman – Apollo 13

8.The Free Theatre Initiative Award for Smallest Part of the Year…………… Colleen Davis – Singing La Coco Lady – MR MARMALADE

9.The Downstage Award for Best Pash of the Year………….. Kip Chapman and Richard Knowles – LITTLE DOG LAUGHED

10.Best Costume of the Year…………….. the Sunflower and Cactus in Mr MARMALADE

11.Best Use of Prop of the Year……………… Power Point, Arthur Meek

Aaron Alexander              posted 11 Dec 2008, 09:51 AM

First of all, my comment was intended as a joke, in the spirit of the awards, and no offence meant to Willem. I suspected he was being fairly tongue-in-cheek with his nominations, so I responded in kind. However, as Rachel has opened the subject of modesty, I’m inclined to respond.

It seems to me, Rachel, that you’re confusing ‘wanting your work to be the best it can be’, ‘thinking your own work is the best’ and ‘telling everybody you think your work is the best’.  Modesty, last time I checked, was considered a virtue.

Yes, you always fall in love with productions you’re involved in. You have to, to put up with the bullsh*t.

Yes, you have to have self-belief to get up there, otherwise you wouldn’t dream of it.

But who collects their Chapman Trip and says “Yes, well, I did always BELIEVE that I was the best actress in Wellington this year”? You might believe it, but you don’t come out and say it. It’s inappropriate. What is appropriate is modesty, and celebrating what you likedabout other people’s work.

Call it the Great Kiwi Knocking Machine, or Tall Poppy Syndrome, if you like, but we appreciate modesty in NZ. I like that about us. It strikes me as funny that anybody openly declaring themselves to be the best in virtually any other context in this country would be swiftly brought down to Earth, but here we get people swooping in to assert the importance of being arrogant.

Is it any wonder the stereotype of the actor in the general public’s eye is a narcissist with an massively disproportionate sense of both the difficulty and the importance of what they do?

Kip’s awards here I thought were a nice antidote, if not a satire of the back-slapping love-ins we’re so known for. Earlier this year he told me there might be an award for Biggest Flop, to celebrate the least commercially successful production in town. Sadly, it seems we may not have the self-confidence to laugh at ourselves that much.

Whew, what a rant – never mind smoking on stage, how about burning bridges?

John, bring back pseudonyms, eh?

*actually – there is one other place in this country that I’m aware of where you nominate yourself for awards:

The Advertising Industry.

Role models to us all, I’m sure.

(not content with alienating people in the theatre, now I’m burning bridges in my day job…hmmm.)

Charlotte Larsen               posted 11 Dec 2008, 11:45 AM

    Best Entrance of the Year………. Byron Coll, Mr Marmalade

    The HACKMAN Award for Best Death of the Year……….. Bob the penguin

    Best Accent of the Year………… Heather O’Carroll Guardians

    The BATS Award for Best Ass of the Year………….. Allan Henry in the Chapman Tripp opening sequence video in that tracksuit

    Best Blind Acting in a 1960’s Thriller of the Year…………. Ban, or Audrey Hepburn. Tough call.

    The Theatreview Award for Poster of the Year…………  Vunderbra

    Best Cross-Gender Performance of the Year……………. The two Rachel’s, More and Forman

    The Free Theatre Initiative Award for Smallest Part of the Year…………… Bruce in Amazons

    Best Weapon of the Year………….. the short shorts in Amazons  – reflecting light into the eyes of enemies and knocking them out with that tight ass!

    The Downstage Award for Best Pash of the Year………….. Seconding Zelda’s Kate and Hadleigh nom!

    Best Costume of the Year……………..  the starfish and sheep in Godzone/Cactus and sunflower in Mr Marmalade

    Best Use of Prop of the Year……………… the merkin.

    The award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year…….. Phil Peleton as a Tinkle in Presenting the Tinkles (washed up has been ex rockers are always dillusional and disturbed!)

Julia Truscott      posted 12 Dec 2008, 09:25 AM

Hear hear Mr Alexander I like that (dislike of arrogance) about our culture too.. humility and generosity are so much more appealing than narcisssissism oooh that word is ugly too. but I guess ego is a tricky thing and we all have to grapple with that sneaky monkey.

I would like to nominate for

The Free Theatre Initiative Award for Smallest Part of the Year …  the Merkin 

John Smythe      posted 12 Dec 2008, 10:42 AM / edited 12 Dec 2008, 10:44 AM 

Given this advocacy for self-effacing modesty I think it’s worth noting that no-one has actually nominated themselves as an individual. People have thrown accolades at shows they were part of, at their colleagues and peers – and why not? Isn’t loyalty a Kiwi thing too? (cue Dave Dobbyn …)

As Rachel says, you strive to do the best work you can and when you come out of the season feeling – albeit from a highly subjective and biased perspective – that something good happened there, the urge must be huge to grab this opportunity to have it remembered amid the welter of wonderful work this year has produced.

As one who strives annually, with my colleagues, to ensure the Chapman Tripp Awards are conducted with utmost fairness and integrity – and who always has to conclude that while all nominees are highly deserving, a huge amount of equally superb work invariably misses the cut, democracy being what it is – I have to say I find the Chapman Kip Awards a refreshing antidote: witty, wacky, irreverent, irrational, utterly lacking in objectivity, blatantly self-interested and thereby honest (and don’t we always strive for ‘truth’?) …

The Ancient Greeks always used to tag their seriously dramatic festivals with a satirical piss-take and piss-up … Ah, the more things change ….

So my nomination for Best Teamwork in Cyberspace …….. All contributors to Theatreview: the Makers of every Production covered; the Critics; the Commenters; the Forum Posters; the News providers; the invisible visitors to the site … This is your collective creation!

By the way, it’s interesting to note that apart from ‘audience member’ everyone has posted under their real name. That means something good, I’m sure.

Zelda Edwards   posted 12 Dec 2008, 11:36 AM

Again all the Producers seem to have been forgotten.

Am I allowed to start a new category?

Accolade for Outstanding Producing…

I nominate Mark Westerby for Apollo 13 & Eleanor Bishop for Rubber Turkey

Charlotte Larsen               posted 12 Dec 2008, 11:42 AM

Seconded Zelda!!!

Rachel Lenart     posted 12 Dec 2008, 01:00 PM

Excellent Call Zelda,

Can i nominate Geoff Pinfield for producing Helen Clark

…..oh, and Zelda Edwards for the Merkin!

Also, Can a powerpoint really be considered a prop? If by defination a prop is the property of a performer and is defined as something that can enter and exit with the performer (to distinguish it from set or costume).

The powerpoint in this show is actually the central dramaturigcal device of the play. It is the powerpoint  which generates ‘the soul and meaning’ of the production. Exceptionally well used, but not a prop, i think.

…. obivous vested interest in this one, but in the interest also of theatrical pendantry

Dean Hewison   posted 12 Dec 2008, 04:03 PM

If I’m not too late, I would like to add to my old nominations the girly pash from Colony for Best Pash, and Hannah Clarke as Cripple of the Year or some such thing.

Angela Green     posted 12 Dec 2008, 04:42 PM

    Best Entrance of the Year………. Climbing out of a suitcase (Adagio).  Oh OK, this is shameless, that was me.

    The HACKMAN Award for Best Death of the Year……….. Bob (Heat) sob

    Best Accent of the Year………… The Radiograms in The Eiffel Tower Wedding Party

    The BATS Award for Best Ass of the Year………….. The Fairies in Revenge of the Amazons

    Best Blind Acting in a 1960’s Thriller of the Year…………. Bananapants

    The Theatreview Award for Poster of the Year…………  Metamorphosis (again, baised)

    The Free Theatre Initiative Award for Smallest Part of the Year…………… Bruce in Amazons

    Best Weapon of the Year………….. The apple (“take it out of me”) in Metamorphosis

    The Downstage Award for Best Pash of the Year………….. Blinked. Missed it.  More pashing!!

    Best Costume of the Year……………..  Sheep in Godzone

Paul McLaughlin               posted 12 Dec 2008, 04:55 PM

Great call Zelda. Producing is a vital but seldom thanked/celebrated role. With the rise of independantly produced work now wowing audiences, I hope this changes and these producers are supported both by the community AND CNZ.

Charlotte Larsen               posted 12 Dec 2008, 05:10 PM

I’d also like to suggest a stage manager/production manager/FOH category for next year… those people who work behind the scenes but are rarely thanked!

Charlotte Simmonds       posted 12 Dec 2008, 05:58 PM

If it’s not too late, I would like to suggest an award for Best Show Nobody Saw and also Best Actor Nobody’s Heard Of. I’ll buy the winners a beer. (of course, this could end up being the Best Post that Nobody Read too)

Dean Hewison   posted 13 Dec 2008, 03:11 AM

Awesome night. If this doesn’t happen every year, someone somewhere will get stabbed by somebody, and it will be Wgtn theatre’s fault.

Rachel Forman posted 13 Dec 2008, 02:21 PM

That’s right Dean, Lets stay Safe in the City. For all those who couldn’t make it the official Hackman Press Release with be posted shortly.

Editor    posted 15 Dec 2008, 01:06 PM

The results –

15 Dec 2008

THE CHAPMAN KIP THEATRE AWARDS 2008

It is with joy in our hearts that we are able to announce the winners of the 1st Annual Chapman Kip Theatre Awards. At a prestigious awards ceremony held on the stairs at BATS Theatre over 40 people gathered to hear the winners.

The results follow:

The Michael and Sharon Wray Award for Best Entrance of the Year:

BYRON COLL – MR MARMALADE

The HACKMAN Award for Best Death of the Year: 

THE CAST OF PAUA

Best Accent of the Year:

HEATHER O’CARROLL – GUARDIANS

The BATS Award for Best Ass of the Year:

AARON CORTESI – ALL ROLES OF 2008

Best Blind Acting in a 1960’s Thriller of the Year:

Ban Abdul – WAIT UNTIL DARK

The Theatreview Award for Poster of the Year:

METAMORPHOSIS

The Theatre Militia Award for Best Cross-Gender Performance of the Year:

RACHEL FORMAN – APOLLO 13

The Free Theatre Initiative Award for Smallest Part of the Year:

ED WATSON – WAIT UNTIL DARK

Best Weapon of the Year:

ALLAN HENRY (AS HIMSELF)

The Downstage Award for Best Pash of the Year:

KATE MCGILL AND HADLEIGH WALKER – CHRISTMAS INDOORS

Best Costume of the Year:

TRANSFORMING CAR – HYPONOTASTIC

Best Use of Prop of the Year:

THE MERKIN – SENSIBLE SUSAN AND THE QUEEN’S MERKIN

The Jason Whyte award for Actor/Actress playing a Character with a Disability/Medical Condition of the Year:

NICK DUNBAR – DRINKING GAMES (CANCER)

The Most supportive audience member award:

MICHAEL AND SHARON WRAY – OVER 100 SHOWS IN 2008.

Many thanks to all the sponsors of the event and the wonderful BATS Theatre and PIT Bar! —

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