BULLET CATCH

Hannah Playhouse, Cnr Courtenay Place & Cambridge Terrace, Wellington

22/02/2014 - 28/02/2014

New Zealand Festival of the Arts 2014

Production Details



Bullet Catch: welcome to the world’s most dangerous magic show   

“Wow! Bullet Catch, what an experience … utterly spell-binding,” – Stephen Fry

The bullet catch magic trick, in which a performer is seen to catch a speeding bullet between their teeth, has been considered so dangerous even Houdini refused to try it. The stunt, it is said, has claimed the lives of at least 12 illusionists, assistants and spectators since it was first conceived in 1613.

Following sell-out seasons off-Broadway in New York, at the National Theatre, London and at the Edinburgh Festival Fringe, award-winning Scottish writer and performer Rob Drummond will bring his one-man show Bullet Catch to Wellington for seven shows from 22 February 2014

“Remarkable, multi-layered and utterly gripping” (The Guardian)

Drummond’s theatrical magic show uses illusion, telepathy and a willing audience volunteer to recreate the story of fallen magician William ‘Wonder’ Henderson, who died performing the bullet catch trick in 1912.

In Bullet Catch, Rob Drummond balances suspense and magic to create this engaging and powerful meditation on the nature of free will.

Those brave enough to watch the action till the end will witness the most notorious finale in show business.

Sat 22 Feb – Fri 28 Feb  
at Downstage / Hannah Playhouse (1hr 15 no interval)  
6.30pm plus 2pm on Sunday 23 Feb
Tickets $43 – $48 at Ticketek (excludes booking fee)  
Age recommendation: 10+ (under 18s must be accompanied by an adult)  
Duration: 1hr 15 mins (no interval) 



Theatre , Magic/Illusion ,


1hr 15 mins (no interval)

More than meets the eye at this magic show

Review by Ewen Coleman [Reproduced with permission of Fairfax Media] 24th Feb 2014

The first show of this year’s New Zealand Festival at Downstage*, Bullet Catch, is probably going to be the most dramatic of the festival. It is also one of the few shows that will have the audience sitting on the edges of their seats, literally.

Magician and illusionist Rob Drummond, a mild-mannered, softly spoken Scotsman, comes on stage and asks for a volunteer.  He eventually selects one from the audience in a most clever and ingenious way. This volunteer is onstage for the duration of the show and not only becomes Drummond’s assistant but shares with him thoughts, ideas and feelings, thus becoming an integral part of the show. [More]

*The venue formerly inhabited by Downstage Theatre is now using its actual name: Hannah Playhouse.

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Entertaining, thoughtful, unique

Review by Lori Leigh 23rd Feb 2014

Known as ‘Chekhov’s gun’, there’s an old saying — a proverb of the theatre, if you will — that states if you’re going to introduce a gun on stage in the first act, then it had better go off by the second or third act. Bullet Catch does not disappoint. No spoiler alert needed; the premise of this show is a loaded gun, introduced in the title of the piece, and fired at the end. 

A bullet-catch is the notorious, deadly feat of magic wherein the performer catches a marked bullet between his teeth. The first, and arguably the biggest, challenge of such a trick in this show becomes who will fire the gun in a one-man show at the one man.  

“Is it possible to make someone do something they don’t want to do?” questions Rob Drummond, or William Wonder as he calls himself, as he begins the show in search of an audience volunteer. Through a process of elimination (I won’t spoil the fun and reveal it here), Drummond narrows down the search to three and then lands on a single integral individual whom he invites to join him onstage for the duration of the show.   

Of course the real key to a successful magic trick (as I understand it) is all in the set-up and ‘performance’ of the trick.  The framing of Bullet Catch is the story of an early twentieth-century magician, William Henderson, a friend and protégé of Harry Houdini, and Charles Garth, a shipyard labourer, who shot him in the face during a 1912 ‘bullet-catch’ gone wrong.  Or did it?  Why would a seemingly non-violent man suddenly fire a gun in the face of another man in front of a crowd of 2,000 people? Was the bullet-catch really just a ploy so Henderson could embrace nihilist views and end his own life?

The audience volunteer is cast in the role of Garth and prompted to read snippets of letters sent from Garth to his sister, which document the aftermath of inadvertently killing a man.  Reality and illusion, happiness and melancholia, risk and reward are all explored with humour, philosophical undercurrents, and magic.

Woven with the story of Henderson and Garth is Drummond’s own magic show where much of the magic involves psychic readings of the audience volunteer.  One trick prompts her (on opening night the volunteer is a woman) to vividly imagine a happy memory while Drummond guesses details surrounding the event such as the date and other person involved. Though not entirely accurate, it’s impressive how close Drummond’s mindreading gets to specific information without much to go on. 

Other times the volunteer is asked to choose the path of ‘kill’, ‘save’, or ‘love’ — the three primal options Freud suggests run through our head when we first meet people.  Here lies the crux. I find the bullet-catch itself, for all the lead-up to it, rather anti-climatic.  For me, the beauty of the show isn’t the white rabbit but the hat.

Bullet Catch is, by and large, about Drummond meeting, and bonding with, his audience volunteer. Perhaps this is the greatest magic in the piece: the way he is able to sensitively obtain her trust and get her open up to a total stranger. With quick-witted charm and confidence, Drummond easily establishes this rapport with not only his volunteer but also the entire audience. “This is not magic,” he says, “This is a conversation.”

But the show itself implies that conversation — the connection between people — is a form of magic, not in the sense of illusion, but in the way of its transformative ability.  Other people offer us hope, a reason to get out of bed or ‘catch the bullet’. 

A synthesis of stage play and traditional magic show, Bullet-Catch is an entertaining, thoughtful and unique performance experience.

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