CINDERELLA IN SPACE

The Court Theatre, Bernard Street, Addington, Christchurch

19/04/2017 - 29/04/2017

Production Details



A brand-new children’s show is about to land on The Court’s stage these April school holidays.

Cinderella in Space takes our favourite fairy tale into outer space. The show sees our interstellar Cinderella forced to fix the engine on her evil Captain Step-Mummy’s spaceship – even though she would rather be working on her own inventions. When Captain Step-Mummy won’t let her go to the biggest party in the universe she must take matters into her own hands. 

This imaginative and hilarious retelling has been written by Kathleen Burns, who is usually seen performing on the mainstage, most recently in The Curious Incident of the Dog in the Night-time, Ropable and Educating Rita; on The Forge stage in A Christmas Carol; and as a Court Jester in Scared Scriptless.

While Burns adores the classic story, she wanted her Cinderella to be someone young people can look up to. “She does things for herself. She has help and input from friends and the community, but she gets herself out of trouble. She’s a person of agency, meaning she’s strong, exciting, she makes decisions and she takes action. It’s a story that is fun for girls and boys.”

Cinderella in Space will be directed by The Court’s new Associate Director, Dan Bain. 

“It’s a great idea for a show. I’ve been attached to this project and working on the development of it since it was conceived. I’m really excited by the fact that it’s such a different visual aesthetic to previous children’s shows at The Court.”

Bain has assembled a stellar cast with Monique Clemenston playing the titular role of Cinderella, Ralph McCubbin Howell playing Captain Step-Mummy and Simon Leary playing a multitude of characters.

“Monique was last seen on The Court’s stage in Legally Blonde the Musical, while Ralph is a previous Court Jester and is from Trick of the Light Theatre Company. He’s spent the last few years travelling the world with his multiaward winning children’s theatre show, so it’s fantastic he’s able to join us for Cinderella in Space. Simon is a comic actor based in Wellington and is new to The Court so it will be great to work with him.”

The design team have embraced the sci-fi theme, with airlocks, space suits and synthesizer soundtracks all being produced for the show. 

Burns is excited to share Cinderella in Space with Christchurch audiences, “I wrote this play for children and super cool adults. I don’t think we need to call it a children’s show, it’s just a good show that’s aimed specifically at young people, but I think adults will like it too.”

A relaxed performance of Cinderella in Space will take place on Saturday 29th April at 1pm. This performance is designed to welcome those who will benefit from a more informal environment, including people with an Autism Spectrum Condition, sensory and communication disorders or a learning difficulty. There will be a relaxed attitude to noise and movement during the performance, and some small changes will be made to the light and sound effects. The auditorium will have a smaller than usual capacity so patrons will be able to move around more easily. There will also be a chill-out area available in the foyer.

Cinderella in Space
The Court Theatre, Christchurch
19 – 29 April, 2017
Mon. – Fri. 11am and 1pm.
Sat. 11am only.
Relaxed Performance: 1pm Saturday 29th April
Tickets: Child $10. Adult: $15. Caregivers Required.
Booking Details: 963 0870 or visit www.courttheatre.org.nz
and is recommended for ages 4-8 


CAST:
Monique Clemenston: Cinderella 
Ralph McCubbin Howell: Captain Step-Mummy
Simon Leary: Prince, Fairy Godmother, Expendable

CREATIVE TEAM:
 Dan Bain: Director
 Nigel Kerr: Set Designer
 Hayley Douglas: Costume Designer
 Giles Tanner: Lighting Designer/ Lighting and Sound Operator
 Andrew Todd: Sound Designer
 Christy Lassen: Properties Manager  


Theatre , Family , Children’s ,


Stellar indeed

Review by Lindsay Clark 19th Apr 2017

Kathleen Burns and Dan Bain’s team have hatched a winner. This is no jaded rehash of the fairy tale, no makeshift adaptation of the mainstage set, with approximations of the downtrodden Ashputtel and her sentimental journey. Rather, we are given a refreshingly inventive and immaculately presented piece of thoroughly engaging Sci-fi with a heroine who can wield a spanner as well as sing, dance and think for herself. 

There are enough familiar checkpoints along the way to keep things recognisable. Cinderella is a slave mechanic forced to work on the engine of a mighty craft in space after her evil stepmother has seized control, with plans not to foster intergalactic peace but to rule the galaxy by dastardly whim.

There’s a prince (complete with purple gear and rock dancing of course), a party to find him a queen and a whole planet of pumpkins as well as an appropriately digitalised clock. Here, the godmother is an undercover agent, supplying Cinderella with gear and special dancing boots to equip her on a quest to prevent the prince from passing his all-powerful ring into the hands of that stepmother villainess. 

Thus spiked, the whole show hums along with plenty of laughs, characters to relish and surprises of the good sort. Audience participation is always a risky element in children’s theatre, but so strongly are various predicaments established that the voice of the young fry is genuinely impassioned and feet are offered freely for that climactic boot fitting. 

The cast of three are in total control of their delicious roles. Monique Clemenston cuts a dash as the feisty fix-it heroine, full of can-do and resolve. The usurping Captain Step-Mummy brings the welcome return to Christchurch theatre of greatly talented Ralph McCubbin Howell. And playing all the rest – that is Prince, Fairy Godmother and a host of Expendables in thrall to the evil Captain – is seriously versatile Simon Leary.

Their work is supported by excellence in production values rarely seen in holiday productions. Hayley Douglas has had great fun with costume design. Nigel Kerr’s entertaining set together with wonderfully effective whizz bangs from Giles Tanner (lighting) and Andrew Todd (sound) add up to a first class show. Stellar indeed.

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